Follow @cv_suite When someone hears about the recent debate around cutting funding to the National Endowment for the Arts (NEA), they may have an idea in mind about the types of... read more →
Principles of Persuasive Argumentation is the second in the Data-Driven Arts Advocacy webinar series. WESTAF's Executive Director Anthony Radich, facilitating a conversation with Professor and Rhetorician Damien Pfister of the University of... read more →
How to Avoid Common Errors When Advocating with Data The recent recommendation by President Trump to eliminate the National Endowment for Arts (NEA) has greatly focused arts advocates across the... read more →
On May 9th, CVSuite kicked off it's three part webinar series, Data-Driven Arts Advocacy. The first in the series, Establish Impact with Data features economist Brian Points facilitating a conversation... read more →
Etsy: How Creative Workers are Making Money by Opening Microbusinesses With much focus over the last five years on the gig economy, it is worth exploring different models that are... read more →
By: Brian Points Data Analysis: Render Thomas Introduction Once upon a time, most people considered where they live to be an afterthought in comparison to where they work. But in... read more →
The CVSuite team recently featured a 5-part blog series, Our Creative Roots, focusing on the arts and economic development in rural America. In Part 5 Our Creative Roots, Resources to Guide... read more →
This final installment of the Our Creative Roots blog series takes a look at initiatives, toolkits and resources that have emerged from art and creative economy work in rural areas.... read more →
CVSuite is pleased to announce the addition of race and ethnicity data to our existing age and gender demographic data. These new data make it easy to look at the race/... read more →
Prior to assuming the position of executive director of Colorado Creative Industries (CCI), Margaret Hunt worked in the private sector in the area of economic development and then as the... read more →